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008 150422s2015 enk ob 001 0 eng d
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016 7 _a017173119
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019 _a908074051
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020 _a9781317532590
_q(electronic bk.)
020 _a1317532597
_q(electronic bk.)
020 _a1315724987
_q(electronic bk.)
020 _a9781315724980
_q(electronic bk.)
020 _a9781317532583
_q(ePub ebook)
020 _a1317532589
020 _a9781317532576
_q(Mobipocket ebook)
020 _a1317532570
020 _z9781138850064
020 _z9781138850071
_q(pbk.)
024 7 _a10.4324/9781315724980
_2doi
029 1 _aAU@
_b000056083118
029 1 _aUKMGB
_b017173119
035 _a(OCoLC)907773110
_z(OCoLC)908074051
_z(OCoLC)919009311
037 _a9781317532583
_bIngram Content Group
050 4 _aPN1042
072 7 _aLAN
_x005000
_2bisacsh
072 7 _aLAN
_x015000
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072 7 _aREF
_x026000
_2bisacsh
082 0 4 _a808.1
_223
049 _aN$TA
100 1 _aAttridge, Derek,
_eauthor.
_911095
245 1 4 _aThe craft of poetry :
_bdialogues on minimal interpretation /
_cDerek Attridge and Henry Staten.
264 1 _aMilton Park, Abingdon, Oxon ;
_aNew York, NY :
_bRoutledge,
_c2015.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
588 0 _aOnline resource; title from PDF title page (EBSCO, viewed April 23, 2015).
504 _aIncludes bibliographical references and index.
505 0 _aCover; Half Title ; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction: Dialogical poetics; 1. Minimal interpretation (William Blake, "The Sick Rose"); 2. Figurative language (Emily Dickinson, "I started Early"); 3. Historical context (Wilfred Owen, "Futility"); 4. Intellectual and cultural context (John Milton, "At aSolemn Music"); 5. Situated subjects (Langston Hughes, "Lenox Avenue:Midnight" and "Song for a Black Girl"); 6. Poetic commentary (Shakespeare, Sonnet 116); 7. Modernist poetry and discursive logic (T.S. Eliot, "The LoveSong of J. Alfred Prufrock").
505 8 _a8. The poetry of ellipsis (Denise Riley, "A Nueva York")9. Translation (Charles Baudelaire, "Au Lecteur"; Federico Garc��aLorca, "Romance de la luna, luna, luna"; Rainer Maria Rilke, "Sonnets to Orpheus II.13"); Index.
520 _aThis book presents an innovative format for poetry criticism that its authors call ""dialogical poetics."" This approach shows that readings of poems, which in academic literary criticism often look like a product of settled knowledge, are in reality a continual negotiation between readers. But Derek Attridge and Henry Staten agree to rein in their own interpretive ingenuity and ""minimally interpret"" poems - reading them with careful regard for what the poem can be shown to actually say, in detail and as a whole, from opening to closure. Based on a series of emails, the book explores a numbe
506 0 _aOpen Access
_5EbpS
650 0 _aPoetry
_xAppreciation.
_911096
650 0 _aPoetics.
_911097
650 7 _aLANGUAGE ARTS & DISCIPLINES
_xComposition & Creative Writing.
_2bisacsh
_911098
650 7 _aLANGUAGE ARTS & DISCIPLINES
_xRhetoric.
_2bisacsh
_911099
650 7 _aREFERENCE
_xWriting Skills.
_2bisacsh
_911100
650 7 _aPoetics.
_2fast
_0(OCoLC)fst01067682
_911097
650 7 _aPoetry
_xAppreciation.
_2fast
_0(OCoLC)fst01067692
_911096
655 0 _aElectronic books.
_9432
655 4 _aElectronic books.
_9432
700 1 _aStaten, Henry,
_d1946-
_eauthor.
_911101
776 0 8 _iPrint version:
_aAttridge, Derek.
_tCraft of Poetry : Dialogues on Minimal Interpretation.
_dHoboken : Taylor and Francis, �2015
_z9781138850064
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=981101
938 _aEBSCOhost
_bEBSC
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994 _aC0
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999 _c168444
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